Your Mind on David Lynch

I'm planning two posts about the affects of seeing it live, one about David Lynch and the other about the difference years can make.

The David Lynch post will tell the story about how I and four other impressionable young minds subjected ourselves to the madness lurking in David Lynch's cranium.  Who is he?  One of the most prolific, effed up directors to grace Hollywood.  He created dirty gems such as Blue Velvet and Mulholland Drive.  And what was the level of subjection?  We watched four of his movies in a row, which is equivalent to an eleven hour nightmare.

In this post, I want to share with you my mental state near the end of the marathon.  The following day, I was closing out programs on my computer, and found a document open on Word.  I don't quite remember typing this out, and I'm a little impressed with it.  But DAMN.  Here we go:
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Look at the couch.  It’s one of those couches without armrests, you know, the ones for laying down.  Fashionable from the 20’s, Gatsby-style.  Look again, it’s the piece your grandmother burdened on the family.  It’s where you had your first kiss.  There’s the cigarette burn from Aunt Tara.  Underneath, a foot pulls itself under.  It curls up. 

Now get closer.  The cracks between the cushions, separate them, push them apart with your finger tips.  Really dive in next, slide your hands down, palms facing out.  Inexorably, you push down, arms akimbo.  You’re afraid.  You touch something sticky.  You remember the foot.  It is disconnected, and you’re really looking down now, you know if you look up, look up at the wall, you will see the face of the man it belongs to.  You know he will be smiling, lips pulled back framing crooked teeth. 

Lost in these thoughts, you stop.  You’re in front of the couch again.  The foot is sticking out from under the couch.  Out from under the couch.  Why?  You slowly crouch down.  It’s an exercise to see how slowly you can move, not make noise.  So quiet you can hear the joints in your knees groaning.  The foot is always there.  What’s under that couch?  You slip onto your knees, and then onto your hands.  A noise behind you.  The foot?

You walk into the room and see an old couch, God, what a piece of trash.  Burns and stains.  You close the door, but you struggle against the warped frame.  The bolt slips into his housing.  Finished, straightforward, case closed.  Door closed.

“And that’s it.” 

“That’s it?”

“The whole dream.  Almost a nightmare, I guess.  You can’t tell me how you arrived or why, but you were in front of that couch in that house.”

“What does it mean?”

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So yeah, I'll probably be doing another Lynch marathon in the future, and watch for when I finish my post.  It should explain everything.  And by everything I mean nothing.